Sir George Martin CBE was The Beatles' producer, arranger and mentor, who signed them to EMI and worked on the vast majority of songs throughout their career. https://en.wikipedia.org/w/index.php?title=George_Martin&oldid=1000743882, Alumni of the Guildhall School of Music and Drama, Commanders of the Order of the British Empire, Honorary Members of the Royal Academy of Music, People educated at St Ignatius' College, Enfield, Articles with dead external links from November 2017, Articles with permanently dead external links, Articles with dead external links from October 2017, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. In 1979, Martin published a memoir, All You Need is Ears (co-written with Jeremy Hornsby), that described his work with the Beatles and other artists (including Peter Sellers, Sophia Loren, Shirley Bassey, Flanders and Swann, Matt Monro, and Dudley Moore), and gave an informal introduction to the art and science of sound recording. Kite!" Martin also took EMI's best producers and staff along with him to AIR. 2016 - A Tribute To the Artists Who Have Passed This Year. [49] He worked with McCartney to implement the orchestral climax in "A Day in the Life", and he and McCartney shared conducting duties the day that it was recorded. In 1992, Martin worked with Pete Townshend on the musical stage production of The Who's Tommy. [95], In 1997–98, Martin hosted a three-part BBC co-produced documentary series titled The Rhythm of Life, in which he discussed various aspects of musical composition with professional musicians and singers, among them Brian Wilson, Billy Joel, and Celine Dion. [29] The contract was not what it seemed, however, as Martin would not sign it himself until he had heard an audition, and later said that EMI had "nothing to lose," as it offered one penny for each record sold, which was split among the four members. [29] Martin asked the individual Beatles if there was anything they personally did not like, to which George Harrison replied, "I don't like your tie." R.I.P. That was the turning point, according to Smith, as John Lennon and Paul McCartney joined in with jokes and comic wordplay, that made Martin think that he should sign them to a contract for their wit alone. The war ended before he was involved in any combat, and he left the service in 1947. Martin was reportedly hurt by this, but still produced the recording and conducted the orchestra himself. On 9 July 1992, he was awarded an honorary Master of Arts degree by University of Salford, in recognition of his involvement with the innovative BSc Hons Popular Music and Recording validated by the university (taught at University College Salford), and his contribution to British popular music in general. 1 in April 1963, before being displaced by the Beatles' "From Me to You". An excerpt from "Sound Pictures: The Life of Beatles Producer George Martin -- The Later Years, 1966 - 2016." [4] At eight years of age, he persuaded his parents, Henry and Betha Beatrice (nėe Simpson) Martin,[5] that he should take piano lessons, but those ended after only eight lessons because of a disagreement between his mother and the teacher. [82] Martin worked with Paul Winter on his (1972) Icarus album, which was recorded in a rented house by the sea in Marblehead, Massachusetts. [15], Following his graduation, he worked for the BBC's classical music department, then joined EMI in 1950 as an assistant to Oscar Preuss, the head of EMI's Parlophone Records from 1950 to 1955. On 17 October 2012, he won a lifetime award in the 39th, "Walk Away", Matt Monro (4 September 1964, #4), "Girl on a Swing", Gerry & the Pacemakers (22 October 1966, #28), This page was last edited on 16 January 2021, at 14:08. The "Transports of Delight" on disc two highlight spoken-word and comedy sides produced by Martin in the '50s and '60s. (George Martin album) From Wikipedia, the free encyclopedia Help! Sir George Martin, CBE (3 January 1926 – 8 March 2016) was an English record producer, arranger, composer, conductor, audio engineer, and musician. On 29 June 2011, he was given an honorary degree, Doctor of Music, from the University of Oxford. "[21] The album was Bridge on the River Wye. Sir George Martin, CBE (3 January 1926 – 8 March 2016) was an English record producer, arranger, composer, conductor, audio engineer, and musician. Born George Henry Martin on Jan. 3, 1926, in London. 5.0 out of 5 stars 2. [39], Martin's formal musical expertise helped fill the gaps between the Beatles' unrefined talent and the sound which distinguished them from other groups, which eventually made them successful. Commenting specifically on "Revolution 9", Lennon said, "For Martin to state that he was 'painting a sound picture' is pure hallucination. (George Martin album) Hey Jude (Beatles album) … The Arms of Sir George Martin, Kt., C.B.E. Martyn Goddard/Corbis The tirelessly experimental, gorgeously grandiose production of George Martin … Ask any of the other people involved. This release focused on songs from their album Help! George Martin's album, George Martin, In My Life, is a magical trip into the essence of what makes the Beatles music timeless; "Quality Entertainment".George Martin has taken a group of unlikely entertainers and put together an absolutely enchanting disc. For "Eleanor Rigby," he scored and conducted a strings-only accompaniment inspired by Bernard Herrmann. He helped us develop a language to talk to other musicians. [56], Martin composed and arranged the score for the Beatles' film Yellow Submarine[57] and the James Bond film Live and Let Die, for which Paul McCartney wrote and sang the title song. His last album was a collection of Beatles songs he originally produced, recreated by a variety of well-known artists. Sir George Martin CBE (3 January 1926 – 8 March 2016) was an English record producer, arranger, composer, conductor, audio engineer and musician. [87] To this day, AIR remains one of the world's pre-eminent recording studios. "[60], Beginning in the late 1950s, Martin began to supplement his producer income by publishing music and having his artists record it. [91] The second, in 1973, was "Live and Let Die" by Paul McCartney and Wings for the film of the same name. George Martin And His Orchestra - Theme One - 1967. By 1965, the Beatles' success had given Martin the leverage to start Associated Independent Recording (AIR), which enabled him to hire out his services to other artists. In November 2017, the Craig Leon-produced album George Martin – Film Scores and Original Orchestral Music was released. [7], Despite Martin's continued interest in music, and "fantasies about being the next Rachmaninoff", he did not initially choose music as a career. Amazon.com. is a 1965 album by the George Martin Orchestra, the second of a series of albums by Martin featuring instrumental arrangements of Beatle songs. ... a surprisingly low pain threshold and Sir George Martin. The series aired on the Ovation television network in the United States.[96][97][98]. [44] For "Strawberry Fields Forever", he and recording engineer Geoff Emerick turned two very different takes into a single master through careful use of vari-speed and editing. "The Beatles Anthology" DVD 2003 (Special Features: Compiling The Anthology Albums—0:03:14) George Martin talking about using an old 8-track desk for The Anthology project. College of Arms. Find George Martin bio, music, credits, awards, & streaming links on AllMusic - The world's most famous record producer, by… George Martin was the mentor that recognized their raw talent and shaped it into the artistic force the Beatles were ultimately to become. [120], Sir George was granted a coat of arms in 2004, with the Latin motto "Amore Solum Opus Est" which translates to "All you need is love." [52][53][54] The first song that Martin did not arrange was "She's Leaving Home", as he had a prior engagement to produce a Cilla Black session, so McCartney contacted arranger Mike Leander to do it. [36] As "Love Me Do" peaked at number 17 in the British charts, on 26 November 1962 Martin recorded "Please Please Me", which he did only after Lennon and McCartney had almost begged him to record another of their original songs. [67], Martin stepped down when it came to producing the two new singles reuniting McCartney, Harrison, and Starr, who wanted to overdub two old Lennon demos. 2:26. The book comes out on Sept. 4. The play opened on Broadway in 1993, with the original cast album being released that summer. I noticed you had no answer for that! Due to an EMI library error, a 4 September version with Starr playing drums was issued on the British single release; afterwards, the tape was destroyed, and the 11 September recording with Andy White on drums was used for all subsequent releases. Other notable movie scores include Crooks Anonymous (1962), The Family Way (1966), Pulp (1972, starring Michael Caine and Mickey Rooney), the Peter Sellers film The Optimists of Nine Elms (1973), and the John Schlesinger-directed Honky Tonk Freeway (1981). [40] It was Martin's idea to score a string quartet accompaniment for "Yesterday" against McCartney's initial reluctance. He was referred to as the "Fifth Beatle" in reference to his extensive involvement on each of the Beatles' original albums. The album of new recordings collected a selection of Martin's compositions together for the first time, including previously unheard pieces Belle Etoile and sketches from the feature film The Mission (1986) which were not used in the original soundtrack. [65] Martin decided to use an old 8-track analogue mixing console – which EMI learned an engineer still had – to mix the songs for the project, instead of a modern digital console. [43], Martin's work as an arranger was used for many Beatles recordings. George Martin and His Orchestra - Ringo's Theme (This Boy) (1964) 3:15. In 1956 he produced the well known children's song "Nellie the Elephant" which was released by Parlophone in October of that year. In My Life is a 1998 album compiled and produced by Sir George Martin. Martin had suffered a hearing loss, so he left the work to writer/producer Jeff Lynne of the Electric Light Orchestra. "In My Life", referred to a bit maudlinly as Martin's "final record", is a whimsical collection of Beatles and original music. OFF THE BEATLE TRACK - George Martin and His Orchestra (Full Album - 1964) 26:23. Soundbreaking became George Martin's last, and one of his most personal, projects when he died six days before its premiere. They didn't. "[74], In a 1971 letter to Paul McCartney, Lennon wrote, "When people ask me questions about 'What did George Martin really do for you?,' I have only one answer, 'What does he do now?' In 1993 he published Summer of Love: The Making of Sgt Pepper (published in the U.S. as With a Little Help from My Friends: The Making of Sgt Pepper, co-authored with William Pearson),[93][94] which also included interview quotations from a 1992 South Bank Show episode discussing the album. Hearing such glorious sounds I found it difficult to connect them with ninety men and women blowing into brass and wooden instruments or scraping away at strings with horsehair bows. Martin won the Grammy Award for Best Musical Show Album in 1993, as the producer of that album. [89], Martin also directly and indirectly contributed to the main themes of three films in the James Bond series. [85][86], Within the recording industry, Martin was known for having become independent at a time when many producers were still salaried. In 2016, Paul McCartney wrote that "If anyone earned the title of the fifth Beatle it was George". [34] Martin was correct: Gerry & the Pacemakers' version, which Martin produced, spent three weeks at No. A Hard Day's Night (album) The Heart of the Matter (Kenny Rogers album) Hearts (America album) Help! [31], The Beatles auditioned for Martin on 6 June 1962, in studio three at EMI. Died March 8, 2016 Known as the "fifth Beatle," George Martin served as the primary producer for the Beatles from "Love Me Do" to Abbey Road. His first success for Parlophone was the "Mock Mozart" single, performed by Peter Ustinov with Antony Hopkins – a record reluctantly released in 1952 by EMI, only after Preuss insisted they give his young assistant, Martin, a chance. Jeff Beck, 'Blow by Blow' (1975) Jeff Beck's second solo album, and first under solely his name, was … In recognition of his services to the music industry and popular culture, he was made a Knight Bachelor in 1996. [11][16] After taking over Parlophone, as head of artists and repertoire,[17] when Preuss retired in 1955, Martin recorded classical and Baroque music, original cast recordings, and regional music from around Britain and Ireland. [26], Martin was contacted by Sid Coleman of Ardmore & Beechwood, who told him about Brian Epstein, the manager of a band whom he had met. He thought Martin might be interested in the group, even though they had been turned down by Decca Records. On a Canadian speaking tour in 2007, Martin said that his "Eleanor Rigby" score was influenced by Herrmann's score for the Alfred Hitchcock thriller Psycho. [118][119], Records produced by Martin have achieved 30 number one singles and 16 number one albums in the UK – plus 23 number one singles and 19 number one albums in North America (most of which were by The Beatles). In 2010, Martin was the executive producer of the hard rock debut of Arms of the Sun, an all-star project featuring Rex Brown (Pantera, Down), John Luke Hebert (King Diamond), Lance Harvill and Ben Bunker.[84]. [55] Martin was in demand as an independent arranger and producer by the time of the band's 1968 self-titled double album (also known as the "White Album"), so the Beatles were left to produce various tracks by themselves. His last album was a collection of Beatles songs he originally produced, recreated by a variety of well-known artists. EMI had refused his pleas for royalties on his own work,[17] nor did they provide him with any year-end bonuses (which were standard for EMI employees) after 1962, maintaining that his £3000 annual salary was sufficient remuneration for his services, at a time when artists he had signed and were producing had generated tens of millions of pounds for EMI. Despite a long and varied career, George Martin is most celebrated for his era-defining work with the Beatles.The six-CD Produced by George Martin commemorates his 50 years behind the boards with discs that are in chronological order and loosely themed, including the early years, comedy recordings, '60s hits, and orchestral works. He used the pseudonyms Lezlo Anales and John Chisholm, before settling on Graham Fisher as his primary pseudonym. [72][73], In the immediate aftermath of the Beatles' break-up, a time when he made many angry utterances, John Lennon trivialised Martin's importance to the Beatles' music. Settling on a selection of Beatles tunes he had originally produced, he set about pairing up unlikely accomplices with specific tunes and arrangements in mind. Deciding to make a farewell album on his own terms, the gentlemanly former Beatles producer gathered an eclectic crowd of "heroes and friends" (Jeff Beck [32] Ron Richards and his engineer Norman Smith recorded four songs, which Martin (who was not present during the recording) listened to at the end of the session. He was referred to as the "Fifth Beatle" in reference to his extensive involvement on each of the Beatles' original albums. Help! Before working with the Beatles and other pop musicians, he produced comedy and novelty records in the early 1950s, working with Peter Sellers, Spike Milligan and Bernard Cribbins, among others. On June 15th, 1996, George Martin was knighted for his production work over the decades, especially with The Beatles. In early 1962, under the pseudonym "Ray Cathode," he released an early electronic dance single, "Time Beat" - the first commercial release from the BBC Radiophonic Workshop. [8] He worked briefly as a quantity surveyor, and later for the War Office as a Temporary Clerk (Grade Three), which meant filing paperwork and making tea. A new album of late orchestrator, composer, and Beatles producer George Martin’s instrumental music is due out soon. On October 20, 1998, In My Life was released, and Sir George Martin took a bow from the music business. Martin's crucial contribution to the song was to tell them to speed up what was initially a slow ballad. He also produced the album The Man in the Bowler Hat (1974) for the eccentric British folk-rock group Stackridge. Ringo Starr was asked to play tambourine and maracas, and although he complied, he was definitely "not pleased". "Love in the Open Air" – The George Martin Orchestra (from The Family Way) 1967 "Thingumybob" – The George Martin Orchestra 1968 "Theme One" – The George Martin Orchestra "Snakes Alive" – The George Martin Orchestra (from Live and Let Die) "The Ticlaw Anthem" – The George Martin Orchestra (from Honky Tonk Freeway) It was absolutely magical. [18][19], Martin also produced numerous comedy and novelty records. Not mine, but it disappeared from YouTube just when we really needed it. [66] He also said he found the whole project a strange experience, as they had to listen to themselves chatting in the studio, 25–30 years previously. [104] He was survived by his wife of nearly fifty years, Judy Lockhart Smith, and his four children. Lewisohn, Mark (1988). As a child, he attended several schools, including a "convent school in Holloway", St Joseph's School (Highgate), and at St Ignatius' College (Stamford Hill), where he had won a scholarship. Produced in association with Sir George Martin, Soundbreaking: Stories from the Cutting Edge of Recorded Music charts a century's worth of music innovation and experimentation, and offers a behind-the-scenes look at recorded music. [23][24], Other comedians he worked with included Bernard Cribbins, Charlie Drake, Terry Scott, Bruce Forsyth, Michael Bentine, Dudley Moore, Flanders and Swann, Lance Percival, Joan Sims, Bill Oddie, and The Alberts. Find George Martin discography, albums and singles on AllMusic In his 1970 interview with Jann Wenner, Lennon said, "[Dick James] is another one of those people, who think they made us. George Martin: In My Life ‎ (CD, Album) Sum Records (2), Echo: 6977-2: Colombia: 2001: Sell This Version: Recommendations Reviews Show All 4 Reviews . Add Review. 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